Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

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Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris


Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris


Download PDF Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

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Clybourne Park: A Play (Tony Award Best Play), by Bruce Norris

Clybourne Park spans two generations fifty years apart. In 1959, Russ and Bev are selling their desirable two-bedroom at a bargain price, unknowingly bringing the first black family into the neighborhood (borrowing a plot line from Lorraine Hansberry's A Raisin in the Sun) and creating ripples of discontent among the cozy white residents of Clybourne Park. In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norris's excruciatingly funny and squirm-inducing satire explores the fault line between race and property.Clybourne Park is the winner of the 2011 Pulitzer Prize for Drama, and the winner of the 2012 Tony Award for Best Play.

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Product details

Series: Tony Award Best Play

Paperback: 224 pages

Publisher: Farrar, Straus and Giroux; 1 edition (August 16, 2011)

Language: English

ISBN-10: 0865478686

ISBN-13: 978-0865478688

Product Dimensions:

5.6 x 0.6 x 8.3 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#34,923 in Books (See Top 100 in Books)

First of all, let me say that I'm glad to have purchased this book when it was selling at a price far more reasonable than the one it is being sold for at this writing. Apparently, the only edition currently available is the one published by the Royal Court Theatre in London, even though the play -- by a Chicago-based playwright -- was produced earlier by Playwrights Horizon in New York, where I was fortunate to have seen it last March. Reading the play reminded me of how enjoyable it was to have seen, as images of the superb Off-Broadway cast repeatedly flashed in my memory. Mr. Norris' play presents a different perspective on Lorraine Hansberry's classic play "A Raisin in the Sun." While that masterwork focuses on the Youngers, a Black family in Chicago about to move to a new home in Clybourne Park, a previously all-white neighborhood, Act I of "Clybourne Park" takes place at the same time, 1959, in the house to which the Youngers are about to move. Hansberry's sole white character in "Raisin...", Karl Lindner, visits the home just after his attempt to talk the Youngers out of moving into his neighborhood. That attempt having failed, he now tries to persuade the Stollers, the family selling the house at below-market value, to revoke the offer. We gradually learn why the house is available at such a bargain rate, through scenes involving a quirky group of well-delineated characters. Norris skillfully combines serious themes with a good deal of humor, and provides all of the actors with very juicy roles. This last continues to be true in Act II, which takes place fifty years later, in 2009, in the same house, now much changed. The same actors from Act I reappear in different roles, though some are in parallel relationships (e.g., married couples), and we soon realize how some of the Act II characters are connected to some whom we met in Act I. Norris cleverly shows us how the more things differ, the more they stay the same, as presumably "enlightened" characters prove to be even more uncivilized than their counterparts from half a century before. Once again, the characters are clearly drawn, and the dialogue is crisp and revealing. The play's conclusion merges the two acts neatly and theatrically. "Clybourne Park" is an outstanding play which should be on the schedules of repertory companies all over the country.

I directed a production of this play and everyone involved loved being part of it. We were discovering new things about the script right up through opening night and beyond. It's a brilliant mix of naturalistic drama and explosive satire that sets up echos and reverberations between the first act (set in 1959) and the second (2009). It's about race in America, but also about property, class, family, society--about how much things have changed, but also about how much still goes unacknowledged and undiscussed under the surface of American life. But it isn't at all pedantic or heavy-handed. Mostly it's just very funny and ingenious and extremely well-written...and in the end, surprisingly moving.

This is an outstanding play and a deserved winner of the Tony and Pulitzer (it won both). This play is set in Chicago in the section called Clybourne Park, which is where the Youngers from "A Raisin in the Sun" were moving to. The first act takes place in 1959 and the second act takes place in the same house in 2009. The actors in Act 1 portray different characters in Act 2. In Act 1, a white neighbor complains about a black family (thought to be the Youngers) moving in. In Act 2, a white family is moving into the neighborhood and is meeting resistance from some people in the black community about rebuilding the house.The 1959 scene opens with the careful parsing of words (where does the term Neopolitan come from? why?), and the 2009 scene opens with the careful parsing of words as well, only this time it is mind-numbing terms having to do with deeds, zoning, and architecture (frontage, etc...). In both Acts, the dialogue is fantastic, raw, funny and upsetting. Characters talk over each other. It's very well done.

I performed the role of Russ/Dan at the Laguna Playhouse, and despite some anachronistic moments in Act II (a reference to Obama is quaint now), the thing works like gangbusters. By the end of every performance, the audience were laughing hysterically, and we got vigorous applause at the end. The dialogue is terrific, very actor friendly, although it is NOT easy to memorize. The structure of the play is elegant and there are lovely parallels between the two acts, which take place 50 years apart. If you are studying playwriting, you must give this a read. Norris is an outstanding American dramatist.

I took a class and read both Raisin and Clybourne Park at the same time. The class had a chance to watch the film version of Raisin with Sidney Poitier , Ruby Dee, and Diane Sands. I also had a chance to see Clybourne Park performed in downtown Cleveland by the Cleveland Playhouse. Bruce Norris' play does a great job of examining the Clybourne Park house that the cast of Raisin occupied . What happened to the house and neighborhood 30 years later ? The home is part of the gentrification project . The black residents have sold the home and the home is being remodeled and upgraded by upwardly mobile whites. The author has the ability to write humor and insight into many of the scenes. At times, I found myself laughing out loud at the characters and the situations. In a couple of scenes, the author brought the audience to tears.Highly recommended.

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